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ISCP Application — Portfolio

She
Liberty

Photography Series — 2024

Eleven stolen moments.
Eleven faces of an icon fading away.
Between light and silence,
liberty disappears.

© She Liberty Six-20

All Rights Reserved — 2024

Portfolio submitted for

ISCP Application — New York

Thanh Ton Tran
(Six-20)

Photographer & Visual Artist

Orbe, Switzerland

photoretro.ch  —  [your email]

Artistic Practice

Photography

Contemporary Visual Research

Minimalism

Image Degradation & Digital Glitch

Black & White Photography

Urban Photography

Languages

French — Native

English — Basic working knowledge

Residency Application

2026

Applicant, ISCP Residency Program
New York

Website

photoretro.ch

Profile

Self-taught photographer and visual artist based in Switzerland. His practice explores visual memory, image degradation, blur, digital disruption and contemporary forms of disappearance. Through photography and experimental image processes, he investigates the relationship between visibility, repetition and perception.

Selected Exhibitions

2026

She Liberty

Scheduled exhibition
Centre Culturel Hessel, Orbe, Switzerland

2026

Venise Imaginaire

Centre Culturel Hessel, Orbe, Switzerland

2024 – 2026

Online Exhibitions & Independent Projects

photoretro.ch
Artboxy International Virtual Exhibitions

Projects

She Liberty

Contemporary photographic research exploring the visual erosion of the Statue of Liberty through blur, fragmentation and repetition.

City Blur

Photographic exploration of urban speed, saturation and perceptual instability in New York City.

Venise Imaginaire

Visual reinterpretation of Venice through abstraction, memory and photographic transformation.

№ 01 / 11

Disappearance

Disappearance

2024 — Digital Photography — 100 × 67 cm

The torch still resists.
Everything else has already vanished.

№ 02 / 11

Lost Signal

Lost Signal

2024 — Digital Photography — 100 × 67 cm

The transmission is cut.
The statue no longer responds.

№ 03 / 11

Between Two Worlds

Between Two Worlds

2024 — Digital Photography — 67 × 100 cm

Trapped in the light.
Standing at the edge of oblivion.

№ 04 / 11

Escape

Escape

2024 — Digital Photography — 67 × 100 cm

She is no longer where we left her.
Did anyone see her leave?

№ 05 / 11

Evaporation

Evaporation

2024 — Digital Photography — 100 × 67 cm

No explosion. No sound.
Just the white slowly closing in.

№ 06 / 11

The Ghost

The Ghost

2024 — Digital Photography — 100 × 67 cm

She was always there.
Or perhaps never.

№ 07 / 11

The Echo

The Echo

2024 — Digital Photography — 100 × 67 cm

She turns around.
The bird has already gone.

№ 08 / 11

Interference

Interference

2024 — Digital Photography — 100 × 67 cm

The signal fades.
Liberty drowns in her own frequencies.

№ 09 / 11

Behind The Veil

Behind The Veil

2024 — Digital Photography — 67 × 100 cm

She is there, behind the lines.
But for how much longer?

№ 10 / 11

Turned Away

Turned Away

2024 — Digital Photography — 100 × 67 cm

She no longer looks.
A free bird passes by. She stays.

№ 11 / 11

Almost Nothing

Almost Nothing

2024 — Digital Photography — 67 × 100 cm

Pushed to the edge of the frame.
One breath of white would erase her completely.

— End of Series —

Photography is not proof.
It is a trace.

The image becomes disappearance.
Architecture becomes unstable memory.
Silence replaces evidence.

There is no subject.
Only traces.

Recherche